David Verbuč (1975) absolvoval doktorský studijní program etnomuzikologie na UC Davis v USA. Jeho disertační práce, ‘Living Publicly’: House Shows, Alternative Venues, and the Value of Place and Space for American DIY Communities (2014), je antropologickou studií DIY komunit, jejich scény a hudebních událostí ve Spojených státech. Před započetím magisterského studia v roce 2008 pracoval jako hudební publicista pro různá slovinská média (Radio Študent, Ljubljana, Nova Muska, Mladina, Odzven). V roce 2008 vydal dvoudílné CD s vlastními terénními nahrávkami písní ze savinjké oblasti v severním Slovinsku (Gorših ljudi na svetu ni: terenski posnetki ljudskih pesmi iz Zgornje Savinjske doline / There are No Finer People in the World: Field Recordings of Folk Songs from the Upper Savinja Valley). V současnosti působí jako odborný asistent na FHS UK.
Email:
Výuka
YBA165 Music and youth cultures
YBA166 History of rock music
YBA167 Introduction to musics of the world
YBA175 Music, culture, and technology
YBA 194 History of Jazz
YBA201 Anthropology of music: fieldwork and ethnography seminar
YBE009 Introduction to cultural anthropology
YMA337 Music and place/space: music venues, geographies, and social spaces
YMA356 Ethnomusicology of Western Art Music
Publikace
2016 (forthcoming). “'Hišni koncerti so boljši. Manjši so, in bolj intimni': vprašanja prostora, intimnosti, in skupnosti znotraj ameriških neodvisnih glasbenih scen.” [“'House Concerts are Better. They're Smaller, and More Intimate': Place, Intimacy, and Community within American DIY Music Scenes.”] Glasnik Slovenskega etnološkega društva 56/1.
2015. “Fans or Friends?: Local/Translocal Dialectics of DIY (‘do-it-yourself’) Touring and DIY Community in the US.” Lidé města / Urban People, 17/2: 221-246 (http://www.urbanpeople.cz/archiv/cisla/17,-2015,-2/).
2014. 'Living publicly': House Shows, Alternative Venues, and the Struggle for Place and Space within American DIY Communities. Unpublished PhD dissertation. University of California, Davis.
2013. “From Text to Context: Performance Events in Primož.” In Trapped in Folklore: Studies in Music and Dance Tradition and Their Contemporary Transformations. Kunej, Drago and Sivic, Ursa (eds). Berlin: LIT Verlag, 41–62.
2009. “Contemporary Musical Peasant Traditions in Primož, Slovenia, and the Notion of 'National Heritage'.” In Voices of the Weak: Music and Minorities. Prague: Slovo21 + Faculty of Humanities of Charles University Prague.
2008. Gorših ljudi na svetu ni: terenski posnetki ljudskih pesmi iz Zgornje Savinjske doline / There are No Finer People in the World: Field recordings of folk songs from the Upper Savinja Valley (Knjižnica/Library of Mozirje). Audio CD. Author of field recordings, producer, and author of liner notes (see http://gorsihljudi.blogspot.com).
Recenze
2013. “Rezidualna in novo porajajoča se prizadevanja Glasbenonarodnopisnega Inštituta, Ljubljana, skozi njihovo zvočno izdajateljsko dejavnost. Recenzija treh najnovejših zgoščenk slovenske ljudske glasbene in plesne ustvarjalnosti iz arhivov Glasbenonarodnopisnega inštituta, Ljubljana.” [“Looking at Residual and Emergent Efforts of Slovenian Institute of Ethnomusicology, Ljubljana, Through Publishing of Their Audio Field-recordings: A Review of the Newest Three CDs of Slovenian Folk Music and Dance Creativity, From The Archives of Slovenian Institute of Ethnomusicology.”] Traditiones 42/1: 263–266.
2011. “Razmišljanje o glasbi in politiki: recenzija nastopa Ornette Coleman kvarteta v Mondavi centru, v Davisu, Kalifornija.” [„Thoughs about music and politics: review of Ornette Coleman concert, Mondavi Center, Davis, CA.“] Novamuska.org [http://novamuska.org/?p=2053].
